‘Experimental Inscription and the Archive: Kathy Acker’s Manuscript Practice.’ Reading Experimental Writing (Edinburgh University Press, 2020), 74-98.
‘The Contemporary Small Press, Avant-Garde Aesthetics, and the Politics of Disidentification’ in The Contemporary Small Press: Making Publishing Visible (Palgrave Macmillan, 2020), pp 237-270.
‘Kathy Acker’, in Kaye Mitchell (ed), The Edinburgh Companion to Experimental Women’s Writing (Edinburgh University Press, 2020). Forthcoming.
‘Feminist Solidarity and Experiment in Kathy Acker’s Early Writings’. Journal of Narrative Theory, 48 (3); 2018; 290-313.
‘Forms of Solidarity’. Jacket 2. January 2018.
‘Imaginary Intimacies: Death and New Temporalities in the work of Denise Riley and Nicolas Royle. Death and the Contemporary, New Formations: A Journal of Culture/Theory/Politics, 89/90, 2017; pp. 170-192.
‘Engaged Disengagement: Reframing as Feminist Critique in Vanessa Place’s Tragodía‘. Textual Practice, 31 (4), 2017; pp 707-723.
‘The Reappropriation of Classical Mythology to Represent Pain: Falling Silent in the work of Kathy Acker and Robert Mapplethorpe.’ Comparative Critical Studies, 9.1, 2012, pp 7-35.
‘Radical Interiors: Kathy Acker’s My Mother: Demonology and Cindy Sherman’s ‘Sex Series”. Women: A Cultural Review, 23 (2), 2012, pp. 182-200.
‘Spaces in difference: Laura Parnes’ Blood and Guts in High School‘, n.paradoxa: International Feminist Art Journal, 19, 2007, pp 73-80.
‘Contemporary Artists and the Camera’; ‘Performance and Participation’; ‘Bodies Politic’; and ‘Advertising’ in Photography: The Whole Story (London: Thames and Hudson, 2012).
Georgina Colby 